Sure that she'll be on her way to Carnegie Hall if only she cold have a baby grand, 10-year-old Zoe Elias's dreams hit a sour note when her dad gives her an organ instead.
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Sounding a bit like a younger Rachael Ray, Ricci has a slight throaty rasp and a deadpan quality that well suits the personality of newcomer Urban's protagonist, 10-year-old aspiring pianist Zoe Elias. Zoe endures all manner of humiliation-including losing her best friend and playing "Hits of the '70s" on a "wheeze-bag" of an organ in competition-by reminding herself of her goal of performing piano concerts at Carnegie Hall. Short chapters prove a great way to shine the spotlight on Zoe's wry, just-short-of-sarcastic observations and will likely keep listeners hooked. However, Ricci's sometimes halting delivery and forced-sounding inflection mar the rhythm of the proceedings, taking some of the snap out of Urban's often laugh-out-loud humor. Listeners may also wonder why this recording, which has so much to do with music, contains nary a note. Ages 8-up. Simultaneous release with the Harcourt hardcover (Reviews, Aug. 20). (Sept.) Copyright 2007 Reed Business Information.
From: Reed Elsevier Inc.
Copyright Reed Business Information
Gr 4-6-An impressive and poignant debut novel. Eleven-year-old Zoe dreams of giving piano recitals at Carnegie Hall. When her father purchases a Perfectone D-60, though, she must settle for the sounds of the organ rather than the distinguished sounds of a baby grand. Her organ teacher, Mabelline Person, notices the child's small talent for music and recommends her for the "Perfectone Perform-O-Rama"; she will play Neil Diamond's "Forever in Blue Jeans." Accepting this new twist to her ambitions, Zoe must depend on a quirky support system: her father, who gets anxious when he leaves the house and who earns diplomas from Living Room University; her workaholic mother; and her classmate Wheeler, who follows Zoe home from school daily to spend time with her father, baking. Playing television theme songs from the '60s and '70s rather than Bach doesn't get Zoe down. Instead, aware of the stark difference between her dream and her reality, she forges ahead and, as an underdog, faces the uncertainty of entering the competition. In the end, resilient and resourceful Zoe finds perfection in the most imperfect and unique situations, and she shines. The refreshing writing is full of pearls of wisdom, and readers will relate to this fully developed character. The sensitive story is filled with hope and humor. It has a feel-good quality and a subtle message about how doing one's best and believing in oneself are what really matter.-Jennifer Cogan, Bucks County Free Library, Doylestown, PA Copyright 2007 Reed Business Information.
From: Reed Elsevier Inc.
Copyright Reed Business Information
Ten-year-old Zoe longs to have a piano, become a prodigy, and play in Carnegie Hall like her hero, Vladimir Horowitz. But Zoe's father doesn't buy a piano. Instead, he gets her a Perfectone D-60 electric organ, complete with lessons and golden oldies songbooks. Disappointed but game, Zoe starts practicing. Her friend Emma dumps her, but soon Wheeler Diggs starts coming home with Zoe after school every day to hang out with her and, increasingly, with her dad, who is terrified of leaving the house. Meanwhile, Zoe practices for the Perform-O-Rama, where young Perfectone players compete before judges. In short chapters varying from a few pages to two words, this first-person narrative is immediately engaging and increasingly involving. Zoe's world is drawn with sometimes painful precision, her emotions are revealed with empathy, and her story unfolds realistically, without the miracles she hopes for, but with small, sometimes surprising changes. The portrayal of Zoe's father is particularly fine. Sometimes funny, sometimes tender, this is a promising debut for the author.--Phelan, Carolyn Copyright 2007 Booklist
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