A gothic tale becomes all too shockingly real in this mesmerizing magnum opus by the acclaimed author of FEED. It sounds like a fairy tale. He is a boy dressed in silks and white wigs and given the finest of classical educations. Raised by a group of rational philosophers known only by numbers, the boy and his mother a princess in exile from a faraway land are the only persons in their household assigned names. As the boy's regal mother, Cassiopeia, entertains the house scholars with her beauty and wit, young Octavian begins to question the purpose behind his guardians' fanatical studies. Only after he dares to open a forbidden door does he learn the hideous nature of their experiments and his own chilling role in them. Set against the disquiet of Revolutionary Boston, M. T. Anderson's extraordinary novel takes place at a time when American Patriots rioted and battled to win liberty while African slaves were entreated to risk their lives for a freedom they would never claim. The first of two parts, this deeply provocative novel reimagines the past as an eerie place that has startling resonance for readers today. Distributed by Syndetic Solutions, Inc.

Anderson's "stunningly well researched" National Book Award winner takes place in pre-Revolutionary Boston and focuses on an African princess's 16-year-old son, the unwitting subject of a scientific experiment. Ages 14-up. (Jan.) Copyright 2008 Reed Business Information. From: Reed Elsevier Inc. Copyright Reed Business Information

Gr 7 Up-Many readers think that classics have little relevance to our modern lives. But with the right author and the right turn on a classic tale, these stories can remain as relevant today as they were when they were first written. Julius Lester's Cupid (Harcourt, 2007) is a retelling of the ancient myth of the love story of Cupid and Psyche (originally written by Lucius Apuleius). Cupid, the Greek God of Love, and Psyche, a mortal princess, have a tempestuous love affair (and conflicts with Venus, Cupid's mother). Throughout their affair, Cupid and Psyche learn about themselves and the meaning of true love. With Jupiter's help, Psyche attains immortality. Lester's fresh and sassy prose brings new life and luster to the story, and actor Stephen McKinley Henderson's expert, enthralling narration always holds listeners' attention. On the other hand, M. T. Anderson's The Astonishing Life of Octavian Nothing (Candlewick, 2006), winner of the 2006 National Book Award, falls flat because its uniqueness renders it unintelligible. In this imitation of Voltaire's Candide, written in 18th-century language, young Octavian Nothing, an African child, is raised by tutors with numbers instead of names and subjected to experiments performed on him by Boston philosophers who seek to determine the intellectual ability of Africans. While the idea and the scope of Anderson's novel are fresh, the plot and the prose are so confusing that it becomes difficult to follow the story. The narration by actor Peter Francis James is first-rate, but only advanced high school students and aficionados of the Enlightenment will be able to wade through the novel. On the other hand, Lester's lively retelling of the Cupid classic enhances the original tale and makes it accessible to students.-Larry Cooperman, Seminole High School, Sanford, FL Copyright 2007 Reed Business Information. From: Reed Elsevier Inc. Copyright Reed Business Information

M. T. Anderson's books for young people reflect a remarkably broad mastery of genres, even as they defy neat classification. Any labeling requires lots of hyphens: space-travel satire ( Feed, 2002), retro-comic fantasy-adventure ( Whales on Stilts, 2005). This genre-labeling game seems particularly pointless with Anderson's latest novel, The Astonishing Life of Octavian Nothing, Traitor to the Nation (2006), an episodic, highly ambitious story, deeply rooted in eighteenth-century literary traditions, which examines, among many other things, pre-Revolutionary slavery in New England. The plot focuses on Octavian, a young black boy who recounts his youth in a Boston household of scientists and philosophers (The Novanglian College of Lucidity). The Collegians believe so thoroughly in the Age of Reason's principles that they address one another as numbers. Octavian soon learns that he and his mother are objects of one of the Collegians' experiments to learn whether Africans are a separate and distinct species. Octavian receives an education equal to any of the princes in Europe, until financial strains shatter Octavian's sheltered life of intellectual pursuits and the illusion that he is a free member of a utopian society. As political unrest in the colonies grows, Octavian experiences the increasing horrors of what it means to be a slave. The story's scope is immense, in both its technical challenges and underlying intellectual and moral questions--perhaps too immense to be contained in a traditional narrative (and, indeed, Anderson has already promised a second volume to continue the story). As in Meg Rosoff's Printz Award Book How I Live Now (2004), in which a large black circle replaces text to represent the indescribable, Anderson's novel substitutes visuals for words. Several pages show furious black quill-pen cross-hatchings, through which only a few words are visible, perhaps indicating that even with his scholarly vocabulary, Octavian can't find words to describe the vast evil that he has witnessed. Likewise, Anderson employs multiple viewpoints and formats--letters, newspaper clippings, scientific papers--pick up the story that Octavian is periodically unable to tell. Once acclimated to the novel's style, readers will marvel at Anderson's ability to maintain this high-wire act of elegant, archaic language and shifting voices, and they will appreciate the satiric scenes that gleefully lampoon the Collegians' more buffoonish experiments. Anderson's impressive historical research fixes the imagined College firmly within the facts of our country's own troubled history. The fluctuations between satire and somber realism, gothic fantasy and factual history will jar and disturb readers, creating a mood that echoes Octavian's unsettled time as well as our own. Anderson's book is both chaotic and highly accomplished, and, like Aidan Chambers' recent This Is All (2006), it demands rereading. Teens need not understand all the historical and literary allusions to connect with Octavian's torment or to debate the novel's questions, present in our country's founding documents, which move into today's urgent arguments about intellectual life; individual action; the influence of power and money, racism and privilege; and what patriotism, freedom, and citizenship mean. --Gillian Engberg Copyright 2006 Booklist From: Syndetics Solutions, Inc. Distributed by Syndetic Solutions, Inc.