This timely little book offers a thoughtful, wide-ranging and captivating introduction to a dynamic country most Americans still regrettably associate with romantic-exotic or religious-fanatical stereotypes. Centering on questions of identity and subjectivity in and outside Iran's Islamic Republic, the 15 prominent indigenous and ex-pat voices showcased in this collection include bestselling authors Azar Nafisi (Reading Lolita in Tehran), Azadeh Moaveni (Lipstick Jihad) and Marjane Satrapi (Persepolis), as well as renowned filmmaker Abbas Kiarostami, Oscar-nominated actress Shoreh Aghdashloo (House of Sand and Fog) and acclaimed visual artist Shirin Neshat. The brief, often breezy essays, reminiscences, reportage and interviews overturn the facile image of Iran as a single, homogenous entity, providing animated discussions of politics, sex, art, women's rights, racism, poetic culture, underground nightlife, Tehran's Jewish community, censorship, economic inequality and cross-cultural (mis)understanding under a regime that is highly oppressive but continually subverted. Arranged and framed with care by editor Zanganeh (and featuring original art by Satrapi), the book's contents resist an overarching, dogmatic point of view, presenting instead an open-ended invitation to dialogue. Readers will find this volume complex but accessible; it reveals the human stories behind the veil of the headlines. (Apr.) Copyright 2006 Reed Business Information. From: Reed Elsevier Inc. Copyright Reed Business Information

A seemingly devout cleaning lady sweeps a client's living room while pornography plays on the TV. A comp-lit class analyzes Milan Kundera's Identity (1998) in a translation deleting two major components, sex and gender equality. Women's clothing mannequins gradually lose their femininity, including their faces, replaced by cardboard disks, and their hands, replaced by cylinders. Of such is life in Iran's capital, Tehran, home, at least originally, of most of the artists and intellectuals contributing to this collection. Together, they raise the flag of hope for a freer culture, though the only basis they show for that hope is their and their peers' talent and integrity. Reza Aslan, author of No god but God (2005), ruefully acknowledges that, despite Tehranians' disdain for the mullahs--a taxi is as likely to run one down as pick him up, he says--many more Iranians want the mullahcracy. Other imaginative and provocative voices herein include filmmaker Abbas Kiarostami, Oscar-nominated actress Shohbeh Aghdashloo, and graphic novelist Marjane Satrapi ( Persepolis, 2003). --Ray Olson Copyright 2006 Booklist From: Syndetics Solutions, Inc. Distributed by Syndetic Solutions, Inc.

Introduction	p. xi
The Stuff That Dreams are Made of	p. 1
I Grew Up Thinking I Was White	p. 12
How Can One Be Persian?	p. 20
From Here to Mullahcracy	p. 24
Death of a Mannequin	p. 30
The Last Chapter in the Book of Exodus	p. 38
Women Without Men	p. 44
Sex in the Time of Mullahs	p. 55
Misreading Kundera in Tehran	p. 62
Receding Worlds	p. 74
A Taste of My Cinema	p. 81
An Alley Greener Than the Dream of God	p. 96
Don't Cry for Me, America	p. 104
Why Acting Set Me Free	p. 112
Tehran Underground	p. 119
Contributors' Biographies	p. 127
Acknowledgments	p. 129
Credits	p. 131

Distributed by Syndetic Solutions, Inc.