|
Acknowledgments |
p. xvii |
|
Introduction |
p. 1 |
|
From This We Come |
|
|
Generations |
|
|
Poem in September, on My Mother's Birthday |
p. 9 |
|
When I Feel Most Like Her |
p. 10 |
|
I Go Back to May 1937 |
p. 11 |
|
Where I'm From |
p. 12 |
|
On the Hovander Homestead |
p. 13 |
|
The Grandmother Songs |
p. 13 |
|
To Jacqueline, Age 2, in Her Great-Grandmother's House |
p. 15 |
|
Forgiveness |
p. 16 |
|
Giving Back the World |
p. 17 |
|
Fury |
p. 18 |
|
Daughters |
p. 18 |
|
I Am Asking You to Come Back Home |
p. 19 |
|
I Stop Writing the Poem |
p. 20 |
|
With Stars |
p. 20 |
|
The Sleeping |
p. 21 |
|
Thrall |
p. 22 |
|
Totems: Three Generations |
p. 23 |
|
The Woman Who Loved Worms |
p. 24 |
|
Pokeberries |
p. 25 |
|
Final Disposition |
p. 26 |
|
Newborn |
p. 27 |
|
Defiance |
|
|
Hair |
p. 31 |
|
Sending the Mare to Auction |
p. 31 |
|
Exposure |
p. 33 |
|
Refusing Silence |
p. 33 |
|
Trouble with Math in a One-Room Country School |
p. 34 |
|
I Knew I'd Sing |
p. 35 |
|
Knowing My Name |
p. 36 |
|
Amelia Earhart Rag Doll |
p. 37 |
|
Pagan |
p. 37 |
|
The Circus of Levitation |
p. 38 |
|
Becoming a Nun |
p. 39 |
|
The Drum Majorette Marries at Calvary Baptist |
p. 40 |
|
The Necessity |
p. 41 |
|
Taking In Wash |
p. 42 |
|
Untitled |
p. 43 |
|
How She Was Saved |
p. 45 |
|
Jeanne d'Arc |
p. 45 |
|
The Right Thing |
p. 46 |
|
Desperate Measures |
p. 47 |
|
The Terms of Endurance |
p. 48 |
|
Crossing |
p. 49 |
|
Hawks |
p. 50 |
|
Identity |
|
|
Primer (excerpt) |
p. 53 |
|
Portrait d'une Femme |
p. 53 |
|
A Woman Alone |
p. 54 |
|
Variation on a Theme by Rilke (The Book of Hours, Book I, Poem 1, Stanza 1) |
p. 55 |
|
Defining It For Vanessa |
p. 56 |
|
Arms (excerpt) |
p. 57 |
|
Teresa of Avila |
p. 58 |
|
The Rockettes |
p. 59 |
|
Skylights |
p. 60 |
|
Naming the Animals |
p. 61 |
|
Consorting with Angels |
p. 62 |
|
Invisibility Poem: Lesbian |
p. 63 |
|
We All Have Many Chances |
p. 64 |
|
Power Failure |
p. 64 |
|
I Was Born |
p. 65 |
|
Turning |
p. 66 |
|
It was a dream |
p. 67 |
|
The Daughter Who Sings |
p. 67 |
|
With Apologies to Nancy Drew |
p. 68 |
|
The Stammer |
p. 69 |
|
Daystar |
p. 70 |
|
All These Dreams |
p. 71 |
|
By This We Live |
|
|
The Earth and Her Creatures |
|
|
My Mother |
p. 77 |
|
For a Wedding on Mount Tamalpais |
p. 78 |
|
Happiness |
p. 78 |
|
The Love of Aged Horses |
p. 79 |
|
The earth is a living thing |
p. 80 |
|
Among the Cows |
p. 80 |
|
The Lull |
p. 81 |
|
Jug Brook |
p. 82 |
|
Bats |
p. 82 |
|
Demeter |
p. 83 |
|
The Summer Day |
p. 83 |
|
Wild Geese |
p. 84 |
|
The Fallen |
p. 84 |
|
Other, Sister, Twin |
p. 86 |
|
Muskogee |
p. 88 |
|
Prayer |
p. 89 |
|
Poem |
p. 89 |
|
Credo |
p. 90 |
|
The Filbert Orchard |
p. 91 |
|
Burdock |
p. 92 |
|
The Body |
|
|
Making Tortillas |
p. 95 |
|
Strung |
p. 96 |
|
Surviving |
p. 97 |
|
The Laundromat |
p. 97 |
|
The Dieter's Daughter |
p. 98 |
|
Love the human |
p. 99 |
|
Song at midnight |
p. 100 |
|
Smell |
p. 100 |
|
Tits |
p. 101 |
|
This Part of Your Body |
p. 102 |
|
Night Sweat |
p. 103 |
|
The Lesson |
p. 103 |
|
Skin |
p. 105 |
|
Christmas Eve: My Mother Dressing |
p. 106 |
|
To Those of My Sisters Who Kept Their Naturals |
p. 107 |
|
Women's Aerobics Class |
p. 108 |
|
Eve Falling |
p. 109 |
|
Simple Blessings |
|
|
Little Things |
p. 113 |
|
Challah |
p. 113 |
|
Stranded in Mobridge by a Spring Blizzard |
p. 114 |
|
Must We Train Ourselves to Be as Doves |
p. 115 |
|
Groundhog Day |
p. 116 |
|
Winter Light |
p. 116 |
|
Friday Afternoon: The Rabbi's Wife |
p. 117 |
|
Ella, in a Square Apron, Along Highway 80 |
p. 118 |
|
Washing Sheets in July |
p. 118 |
|
Happiness |
p. 119 |
|
Yard Sale |
p. 120 |
|
In the Kitchen We String Beans |
p. 121 |
|
Each Thing Measured by the Same Sun |
p. 122 |
|
Except for Laura Secord (or Famous Women from Canada's Past) |
p. 123 |
|
A Hardware Store As Proof of the Existence of God |
p. 123 |
|
Salvadoran Salsa |
p. 124 |
|
To Make History |
p. 125 |
|
Love, Family, Friendship |
|
|
Every Fact Is a Field |
p. 129 |
|
For Jan, in Bar Maria |
p. 130 |
|
Yellow Roses |
p. 130 |
|
Sunday Night, Driving Home |
p. 131 |
|
Easter Sunday, 1955 |
p. 132 |
|
Recalling The Family Group, a Sculpture by Henry Moore |
p. 133 |
|
A Letter from Margaret to Her Sister |
p. 134 |
|
Variation on the Door |
p. 134 |
|
At the Cafe Saint Jacques |
p. 135 |
|
Negative Space |
p. 136 |
|
Motion |
p. 137 |
|
The Lost Bells of Heaven |
p. 138 |
|
Attraction |
p. 138 |
|
Fishing Seahorse Reef |
p. 139 |
|
Daylily |
p. 140 |
|
China |
p. 140 |
|
The Dancers |
p. 141 |
|
Variation on the Word Sleep |
p. 142 |
|
Ecstasy |
p. 143 |
|
Cathay |
p. 143 |
|
Personal Ad |
p. 144 |
|
Seduction |
p. 145 |
|
Harlem |
p. 145 |
|
Secure |
p. 146 |
|
Familiar |
p. 147 |
|
For My Husband Sleeping Alone |
p. 148 |
|
Dulzura |
p. 149 |
|
Wish |
p. 149 |
|
Poem in Praise of My Husband |
p. 150 |
|
The Garden |
p. 151 |
|
Wanting All |
p. 152 |
|
Shazam |
p. 153 |
|
You Lay Between Us From April Until July |
p. 155 |
|
The Summit of Wives |
p. 155 |
|
Divorce |
p. 156 |
|
Divorce |
p. 158 |
|
Bitch |
p. 159 |
|
Answered Prayers |
p. 160 |
|
From Fullness We Give |
|
|
Conception and Birthing |
|
|
To My Still-Unconceived Daughter |
p. 165 |
|
The Name of My Daughter |
p. 165 |
|
Infertility |
p. 166 |
|
Could It Have Been the Fine Thread? |
p. 167 |
|
The Premonition |
p. 168 |
|
Middle Child |
p. 168 |
|
Miscarriage |
p. 170 |
|
Bone Poem |
p. 170 |
|
Creation |
p. 171 |
|
The Run of Silvers |
p. 172 |
|
Elena at Five Years |
p. 173 |
|
Annunciation |
p. 174 |
|
Hymn |
p. 174 |
|
Toward the Music |
p. 175 |
|
Stone Fruit |
p. 176 |
|
And I am a lucky woman |
p. 177 |
|
Margaret Fuller in the Abruzzi Mountains, June 1848 |
p. 178 |
|
Incarnation |
p. 179 |
|
For Alva Benson, And For Those Who Have Learned To Speak |
p. 180 |
|
Mothering |
|
|
Pastoral |
p. 185 |
|
Collage: Mother, Daughter, Child, and Book |
p. 185 |
|
In the Ocean |
p. 186 |
|
There are times in life when one does the right thing |
p. 188 |
|
For my husband's mother |
p. 189 |
|
Letter to the Children |
p. 190 |
|
The Meaning of Bones |
p. 191 |
|
When Persephone Leaves |
p. 192 |
|
The Boston School of Cooking Cookbook |
p. 193 |
|
The Power in My Mother's Arms |
p. 194 |
|
Elinor Frost's Marble-topped Kneading Table |
p. 195 |
|
Surviving (excerpt) |
p. 196 |
|
Signing My Name |
p. 197 |
|
The Silver Shoes |
p. 198 |
|
Dreams in Harrison Railroad Park |
p. 199 |
|
Eve of the Longest Day |
p. 200 |
|
Seeing the Aurora with Emily |
p. 201 |
|
Illness |
|
|
February Letter |
p. 205 |
|
Locked Ward, Newtown, Connecticut |
p. 206 |
|
Still |
p. 207 |
|
Mammogram |
p. 208 |
|
Two |
p. 209 |
|
The Line |
p. 210 |
|
Scar |
p. 210 |
|
The Man of Many L's |
p. 211 |
|
Winter-Seeming Summer |
p. 213 |
|
The Woman Who Could Not Live with Her Faulty Heart |
p. 213 |
|
Praying to Big Jack |
p. 214 |
|
When I Understood |
p. 215 |
|
Naked Ladies |
p. 216 |
|
For Jan as the End Draws Near |
p. 217 |
|
Go Gentle |
p. 218 |
|
Mid-American Tragedy |
p. 219 |
|
Close to Death |
p. 219 |
|
Red Poppy |
p. 220 |
|
Death |
|
|
Food Chain |
p. 225 |
|
The Great Blue Heron |
p. 225 |
|
Between Losses |
p. 227 |
|
Burying the Past |
p. 228 |
|
The Legacy |
p. 229 |
|
Living with the Dead |
p. 230 |
|
Listening |
p. 231 |
|
Salt |
p. 232 |
|
Retrospect in the Kitchen |
p. 234 |
|
My Cousin Dancing |
p. 234 |
|
Summation |
p. 235 |
|
Paradise |
p. 236 |
|
Infinite Room |
p. 237 |
|
Another Elegy |
p. 238 |
|
Health |
p. 239 |
|
Girlfriend |
p. 240 |
|
In Memory: After a Friend's Sudden Death |
p. 241 |
|
Aging |
|
|
Aging Female Poet on Laundry Day |
p. 245 |
|
Aging Female Poet Sits on the Balcony |
p. 245 |
|
Cross Currents |
p. 246 |
|
Dogwoods at Forty-One |
p. 247 |
|
The Power of Place |
p. 248 |
|
Poem for the Old Woman I Am Becoming |
p. 248 |
|
The Crows |
p. 249 |
|
Untitled |
p. 250 |
|
The Gloves |
p. 250 |
|
Grace Enters Armageddon |
p. 251 |
|
All My Friends' Pets Are Growing Old |
p. 252 |
|
The Lovers at Eighty |
p. 253 |
|
Bird Lady |
p. 254 |
|
At the Roosevelt Baths |
p. 255 |
|
Gather |
p. 257 |
|
When She Laughs |
p. 258 |
|
Hunchback |
p. 259 |
|
The Bird Woman |
p. 260 |
|
We Bless Those Who Follow |
|
|
Compassion |
|
|
Learning CPR |
p. 267 |
|
Back from the City |
p. 268 |
|
Choice |
p. 269 |
|
Sickness |
p. 269 |
|
Solitary |
p. 270 |
|
Selective Service |
p. 270 |
|
The Argument, 1973 |
p. 271 |
|
Blood |
p. 272 |
|
The Use of Fiction |
p. 273 |
|
Painting of a White Gate and Sky |
p. 274 |
|
Vespers |
p. 275 |
|
Bread and Water |
p. 276 |
|
Can't Tell |
p. 276 |
|
Women Bathing at Bergen-Belsen |
p. 277 |
|
Memorial Day |
p. 277 |
|
Bob |
p. 278 |
|
Easter: The Lame Bull |
p. 279 |
|
News Report, September 1991 |
p. 280 |
|
January 1991 |
p. 282 |
|
The Woman Hanging From The Thirteenth Floor Window |
p. 283 |
|
The Adamsons' Peacocks |
p. 285 |
|
Near Roscoe and Coldwater (excerpt) |
p. 286 |
|
The Weighing |
p. 286 |
|
Touched |
p. 287 |
|
Work |
|
|
The Piemaker |
p. 291 |
|
Portraits in Contradiction |
p. 291 |
|
Restaurant |
p. 292 |
|
The Magician |
p. 293 |
|
Living in the Barn |
p. 294 |
|
Night Shift at the Fruit Cannery |
p. 294 |
|
The Women Always Wave the Flags |
p. 295 |
|
Why I Make the Best Barrels |
p. 296 |
|
A Woman in a Car Driving |
p. 296 |
|
The Lesson |
p. 297 |
|
Gertrude Kasebier |
p. 299 |
|
Call the Interval Happiness |
p. 300 |
|
God and the Artists' Colony |
p. 301 |
|
Risk |
p. 302 |
|
My Poems |
p. 302 |
|
Work |
p. 303 |
|
Ars Poetica Feminae (excerpt) |
p. 303 |
|
Woman of Light |
p. 304 |
|
Mother Notes for Elaine |
p. 305 |
|
Poet's Manual |
p. 306 |
|
For Those Whom the Gods Love Less |
p. 307 |
|
Poem White Page White Page Poem |
p. 307 |
|
Who |
p. 308 |
|
Partings |
p. 311 |
|
Making a Fist |
p. 312 |
|
The Hermit |
p. 312 |
|
Snowdrops |
p. 313 |
|
An Act of Faith |
p. 313 |
|
Meatballs |
p. 314 |
|
The Whale |
p. 315 |
|
The Well |
p. 316 |
|
The Sky Could Send You |
p. 316 |
|
In Memory |
p. 318 |
|
Growing Light |
p. 318 |
|
The Healing Time |
p. 319 |
|
Courage |
p. 320 |
|
The Door |
p. 321 |
|
Nothing |
p. 322 |
|
Credits |
p. 323 |
|
Subject Index |
p. 337 |
|
Index of Contributors |
p. 342 |