D Foster showed up a few months before Tupac got shot that first time and left us the summer before he died.The day D Foster enters Neeka and her best friend’s lives, the world opens up for them. D comes from a world vastly different from their safe Queens neighborhood, and through her, the girls see another side of life that includes loss, foster families and an amount of freedom that makes the girls envious. Although all of them are crazy about Tupac Shakur’s rap music, D is the one who truly understands the place where he’s coming from, and through knowing D, Tupac’s lyrics become more personal for all of them.The girls are thirteen when D’s mom swoops in to reclaim D—and as magically as she appeared, she now disappears from their lives. Tupac is gone, too, after another shooting; this time fatal. As the narrator looks back, she sees lives suspended in time, and realizes that even all-too-brief connections can touch deeply. Distributed by Syndetic Solutions, Inc.

As she did in Feathers with the poetry of Emily Dickinson, Woodson here invokes the music of the late rapper Tupac Shakur, whose songs address the inequalities confronting many African-Americans. In 1994, the anonymous narrator is 11, and Tupac has been shot. Everyone in her safe Queens neighborhood is listening to his music and talking about him, even though the world he sings about seems remote to her. Meanwhile D, a foster child, meets the narrator and her best friend, Neeka, while roaming around the city by herself ("She's like from another planet. The Planet of the Free," Neeka later remarks). They become close, calling themselves Three the Hard Way, and Tupac's music becomes a soundtrack for the two years they spend together. Early on, when Tupac sings, ``Brenda's Got a Baby,'' about a girl putting her baby in a trash can, D explains, ``He sings about the things that I'm living,'' and Neeka and the narrator become aware of all the ``stuff we ain't gonna know [about D],'' who never does tell them where she lives or who her mother is. The story ends in 1996 with Tupac's untimely death and the reappearance of D's mother, who takes D with her, out of roaming range. Woodson delicately unfolds issues about race and less obvious forms of oppression as the narrator becomes aware of them; occasionally, the plot feels manipulated toward that purpose. Even so, the subtlety and depth with which the author conveys the girls' relationships lend this novel exceptional vividness and staying power. Ages 12-up. (Jan.) Copyright 2007 Reed Business Information. From: Reed Elsevier Inc. Copyright Reed Business Information

Gr 6-10-D Foster, Neeka, and an unnamed narrator grow from being 11 to 13 with Tupac Shakur's music, shootings, and legal troubles as the backdrop. Neeka and the narrator have lived on the same block forever and are like sisters, but foster child D shows up during the summer of 1994, while she is out "roaming." D immediately finds a place in the heart of the other girls, and the "Three the Hard Way" bond over their love of Tupac's music. It seems especially relevant to D, who sees truth in his lyrics, having experienced the hard life herself in group homes and with multiple foster families. Woodson's spare, poetic, language and realistic Queens, NY, street vernacular reveal a time and a relationship, each chapter a vignette depicting an event in the lives of the girls and evoking mood more than telling a story. In this urban setting, there are, refreshingly, caring adults and children playing on the street instead of drug dealers on every corner. Readers are right on the block with bossy mothers, rope-jumping girls, and chess-playing elders. With Tupac's name and picture on the cover, this slim volume will immediately appeal to teens, and the emotions and high-quality writing make it a book well worth recommending. By the end, readers realize that, along with the girls, they don't really know D at all. As she says, "I came on this street and y'all became my friends. That's the D puzzle." And readers will find it a puzzle well worth their time.-Kelly Vikstrom, Enoch Pratt Free Library, Baltimore, MD Copyright 2008 Reed Business Information. From: Reed Elsevier Inc. Copyright Reed Business Information

The summer before D Foster's real mama came and took her away, Tupac wasn't dead yet. From this first line in her quiet, powerful novel, Woodson cycles backward through the events that lead to dual tragedies: a friend's departure and a hero's death. In a close-knit African American neighborhood in Queens, New York, the unnamed narrator lives across from her best friend, Neeka. Then D Foster wanders onto the block, and the three 11-year-old girls quickly become inseparable. Because readers know from the start where the plot is headed, the characters and the community form the focus here. A subplot about Neeka's older brother, a gay man serving prison time after being framed for a hate crime, sometimes threatens to overwhelm the girls' story. But Woodson balances the plotlines with subtle details, authentic language, and rich development. Beautifully capturing the girls' passage from childhood to adolescence, this is a memorable, affecting novel about the sustaining power of love and friendship and each girl's developing faith in her own Big Purpose. --Engberg, Gillian Copyright 2008 Booklist From: Syndetics Solutions, Inc. Distributed by Syndetic Solutions, Inc.