|
Introduction |
p. xix |
|
Spitting in the Leaves |
p. 2 |
|
Heart Fire |
p. 2 |
|
Long Story |
p. 3 |
|
Black Dog Goes to Art Colony |
p. 6 |
|
Self-Portrait |
p. 6 |
|
The Post-Rapture Diner |
p. 9 |
|
The Nude Detective, A Complaint |
p. 9 |
|
Sock Hop with the New Critics |
p. 11 |
|
Glass Dress |
p. 12 |
|
Body Says |
p. 14 |
|
The exiled (from "child of the enemy") |
p. 17 |
|
Intermurals |
p. 18 |
|
Tradition |
p. 19 |
|
Crossing the South China Sea as analgesia |
p. 20 |
|
Emmett Till's Open Casket as La Pieta |
p. 21 |
|
Doug Flutie's 1984 Orange Bowl Hail Mary as Water into Fire |
p. 21 |
|
Mad River |
p. 24 |
|
Ravenous Blue |
p. 24 |
|
A Waitress' Instructions on Tipping or Get the Cash Up and Don't Waste My Time |
p. 25 |
|
After sex on a train |
p. 26 |
|
My Father Teaches Me to Dream |
p. 26 |
|
Going Deep for Jesus |
p. 27 |
|
Zen of Tipping |
p. 28 |
|
Machine Shop of Love |
p. 29 |
|
The New Egypt |
p. 32 |
|
Now |
p. 32 |
|
OK, Tucker |
p. 33 |
|
Adult Child |
p. 34 |
|
Why We Fear the Amish |
p. 34 |
|
Spiritual Morning |
p. 35 |
|
The Bath |
p. 36 |
|
The Story I Like to Tell |
p. 36 |
|
America |
p. 39 |
|
The Silver Sands |
p. 41 |
|
El Cucubano |
p. 42 |
|
Tia Olivia Serves Wallace Stevens a Cuban Egg |
p. 43 |
|
Dr. Livingstone, I Presume |
p. 46 |
|
The Barbarians |
p. 47 |
|
One Nation, Indivisible, Under God |
p. 48 |
|
The World of Business |
p. 49 |
|
Blue Movie |
p. 52 |
|
Eros and Thanatos |
p. 53 |
|
Trying to Be Human |
p. 54 |
|
Forgiveness |
p. 55 |
|
Heritage |
p. 6 |
|
Emplumada |
p. 59 |
|
Meeting Mescalito at Oak Hill Cemetery |
p. 59 |
|
Beneath the Shadow of the Freeway |
p. 60 |
|
Poem for the Young White Man Who Asked Me How I, an Intelligent, Well-Read Person Could Believe in the War Between Races |
p. 63 |
|
Lady Sings the Blues 1969 |
p. 67 |
|
Los Angeles Nocturne |
p. 68 |
|
Soul Traveler |
p. 69 |
|
Baptism |
p. 70 |
|
Exoteric |
p. 71 |
|
I Chop Some Parsley While Listening to Art Blakey's Version of "Three Blind Mice" |
p. 73 |
|
Shoveling Snow with Buddha |
p. 74 |
|
This Much I Do Remember |
p. 75 |
|
Japan |
p. 76 |
|
Taking Off Emily Dickinson's Clothes |
p. 78 |
|
The Death of the Hat |
p. 79 |
|
Pail of Eggs |
p. 82 |
|
Sill |
p. 82 |
|
Like a Simile |
p. 84 |
|
Style |
p. 85 |
|
Natural Causes |
p. 85 |
|
After Rain |
p. 86 |
|
Ashes, Ashes |
p. 87 |
|
Raw October |
p. 89 |
|
Digger Pays Off the Mortgage |
p. 89 |
|
Digger's Territory |
p. 90 |
|
Still Lives; Sweat |
p. 91 |
|
Trouble at the Drive-In |
p. 92 |
|
Blessing the House |
p. 93 |
|
Raiding the Bees |
p. 96 |
|
To Hear and Hear |
p. 96 |
|
Frog |
p. 97 |
|
Whales |
p. 97 |
|
Night Mowing |
p. 98 |
|
Through a Train Window |
p. 98 |
|
An incident at the Catholic Worker |
p. 99 |
|
I See Them Now |
p. 100 |
|
Blackbottom |
p. 102 |
|
Boy at the Paterson Falls |
p. 103 |
|
In an Urban School |
p. 103 |
|
Allen Ginsburg |
p. 104 |
|
The Struggle |
p. 105 |
|
Grace Paley Reading |
p. 105 |
|
When My Father Was Beating Me |
p. 106 |
|
Kinky |
p. 109 |
|
Sex with a Famous Poet |
p. 110 |
|
The Difference between Pepsi and Pope |
p. 111 |
|
Nick at Nite |
p. 113 |
|
The Problem with Woody Allen |
p. 114 |
|
Noah and Joan |
p. 115 |
|
The Secret Graveyard |
p. 118 |
|
The Key |
p. 118 |
|
Baby Pianos |
p. 119 |
|
The Alfresco Moment |
p. 119 |
|
The Message |
p. 119 |
|
The Square Wheel |
p. 120 |
|
Angels |
p. 120 |
|
The Bath |
p. 121 |
|
Thus Spake Polly |
p. 121 |
|
Wings |
p. 121 |
|
Inside gertrude stein |
p. 124 |
|
Halfway Through the Book I'm Writing |
p. 125 |
|
Homage to Sharon Stone |
p. 126 |
|
Portrait of the Author |
p. 128 |
|
Drinking Cold Water |
p. 131 |
|
Perhaps It's as You Say |
p. 132 |
|
Sorting the Tools |
p. 132 |
|
In the Last Days |
p. 133 |
|
Poem Beginning with a Line from Leonardo Sinisgalli |
p. 134 |
|
From the Meadow |
p. 135 |
|
The Heart |
p. 136 |
|
Frankenstein |
p. 138 |
|
Nancy |
p. 139 |
|
Unwanted |
p. 141 |
|
The Tailspin |
p. 142 |
|
In Praise of My Prostate |
p. 142 |
|
The Lost, Dancing |
p. 143 |
|
Garbo |
p. 144 |
|
She Didn't Mean to Do It |
p. 146 |
|
A Story Having to Do with Walt Whitman |
p. 146 |
|
Whatever Works |
p. 148 |
|
Aunt Leah, Aunt Sophie and the Negro Painter |
p. 148 |
|
Ode to American English |
p. 153 |
|
The Mockingbird on the Buddha |
p. 154 |
|
Ode to the Potato |
p. 155 |
|
Fang |
p. 155 |
|
Ode to Rock 'n' Roll |
p. 156 |
|
Ode to My 1977 Toyota |
p. 157 |
|
Egg |
p. 160 |
|
The Cave |
p. 161 |
|
Blue Light |
p. 162 |
|
Moment |
p. 165 |
|
Twins |
p. 168 |
|
Team effort |
p. 169 |
|
My new neighbor |
p. 169 |
|
Beasts |
p. 170 |
|
Full flight |
p. 174 |
|
Pollock's Paintings |
p. 177 |
|
The Shabby Truth |
p. 178 |
|
Breasts |
p. 180 |
|
The Lizard Man |
p. 180 |
|
What I Learned from My Mother |
p. 183 |
|
Mennonites |
p. 183 |
|
When Our Women Go Crazy |
p. 184 |
|
First Gestures |
p. 185 |
|
Eve's Striptease |
p. 186 |
|
The Sun Lover |
p. 187 |
|
Sinning |
p. 188 |
|
Enter Mecca |
p. 191 |
|
Not |
p. 192 |
|
What Max, Age Two, Remembers about Spain |
p. 193 |
|
The Great Molasses Flood |
p. 195 |
|
Hard Rock Returns to Prison from the Hospital for the Criminal Insane |
p. 198 |
|
He Sees Through Stone |
p. 199 |
|
The Idea of Ancestry |
p. 200 |
|
The Warden Said to Me the Other Day |
p. 201 |
|
Feeling Fucked Up |
p. 202 |
|
Welcome Back, Mr. Knight: Love of My Life |
p. 202 |
|
Dark Prophecy: I Sing of Shine |
p. 203 |
|
Rehabilitation & Treatment in the Prisons of America |
p. 204 |
|
The Game |
p. 207 |
|
The Pond |
p. 207 |
|
The End of the Gulf War |
p. 208 |
|
Tea |
p. 209 |
|
Write |
p. 210 |
|
Selecting a Reader |
p. 212 |
|
A Frozen Stream |
p. 212 |
|
The Very Old |
p. 213 |
|
How to Make Rhubarb Wine |
p. 214 |
|
A Widow |
p. 215 |
|
Fort Robinson |
p. 215 |
|
Shooting a Farmhouse |
p. 215 |
|
Flying at Night |
p. 216 |
|
Laundry |
p. 217 |
|
At the Office Early |
p. 217 |
|
Year's End |
p. 218 |
|
Winter Stars |
p. 220 |
|
My Story in a Late Style of Fire |
p. 221 |
|
The Oldest Living Thing in L.A. |
p. 223 |
|
The Smell of the Sea |
p. 224 |
|
Sunset on the Wharf |
p. 228 |
|
Jamaica, October 18, 1972 |
p. 228 |
|
What my mother taught me |
p. 229 |
|
Calypso |
p. 229 |
|
What the Oracle Said |
p. 230 |
|
An Offering |
p. 231 |
|
Facing It |
p. 232 |
|
Sonnet on the Death of the Man Who Invented Plastic Roses |
p. 234 |
|
(Untitled) |
p. 234 |
|
The Poet, Trying to Surprise God |
p. 235 |
|
Liquid Paper |
p. 235 |
|
Atomic Pantoum |
p. 236 |
|
Zinc Fingers |
p. 237 |
|
A Meditation on You and Wittgenstein |
p. 238 |
|
Preacher, Said the General |
p. 239 |
|
If There Is Another World |
p. 242 |
|
Happiness |
p. 243 |
|
Gone |
p. 243 |
|
Simply Lit |
p. 245 |
|
Seemed Pleased |
p. 246 |
|
In the Yellow Head of a Tulip |
p. 248 |
|
A Wake |
p. 249 |
|
Perennials |
p. 251 |
|
Young Lovers with Pizza |
p. 252 |
|
Eve of St. Agnes in the High School Gym |
p. 253 |
|
How I Came to Drink My Grandmother's Piano |
p. 254 |
|
Afterward |
p. 255 |
|
Emily in Choir |
p. 256 |
|
Satan Says |
p. 258 |
|
Quake Theory |
p. 259 |
|
Indictment of Senior Officers |
p. 260 |
|
The Sisters of Sexual Treasure |
p. 261 |
|
Station |
p. 261 |
|
The Language of the Brag |
p. 262 |
|
Seventh Birthday of the First Child |
p. 263 |
|
The Unjustly Punished Child |
p. 264 |
|
The Mother |
p. 264 |
|
The Leaf Pile |
p. 266 |
|
A Question of Time |
p. 267 |
|
Everywoman Her Own Theology |
p. 269 |
|
The Dogs at Live Oak Beach, Santa Cruz |
p. 270 |
|
What Was Lost |
p. 270 |
|
Fix |
p. 272 |
|
The Blue Cup |
p. 274 |
|
Learning to Write |
p. 274 |
|
From "Crime Against Nature" (1) |
p. 275 |
|
From "Crime Against Nature" (6) |
p. 276 |
|
Walking Back Up Depot Street |
p. 277 |
|
Chopping Peppers |
p. 279 |
|
A Pornography |
p. 281 |
|
Dear Lacuna, Dear Lard |
p. 282 |
|
Ode |
p. 283 |
|
The Creep |
p. 288 |
|
If I Were a Dog |
p. 289 |
|
The Little Towns of West Texas |
p. 290 |
|
In Search of History |
p. 291 |
|
Politics Last Summer |
p. 292 |
|
Miranda of the Sorrows |
p. 293 |
|
Maritime |
p. 296 |
|
A Plague for Kit Marlowe |
p. 297 |
|
World |
p. 299 |
|
Semantics at Four P.M. |
p. 300 |
|
The Day Has Come When My Mother |
p. 303 |
|
My Beautiful Daughter Calls to Tell Melt's Snowing |
p. 303 |
|
The Souls We Carry Hunger for Our Light |
p. 305 |
|
I Hated the Hairy Ones |
p. 306 |
|
Cloud Moving Hands |
p. 308 |
|
In the House of White Light |
p. 311 |
|
Recitative after Rembrandt's "The Anatomy Lesson of Dr. Nicolaes Tulp" |
p. 312 |
|
Isla |
p. 313 |
|
American Drag Rhapsody: J. Edgar Hoover in Havana |
p. 314 |
|
La Florida |
p. 315 |
|
Purple Finch |
p. 316 |
|
The What of Rocks |
p. 318 |
|
A Hot Property |
p. 320 |
|
Sestina for the House |
p. 320 |
|
Nightline: An Interview with the General |
p. 322 |
|
Fielding |
p. 322 |
|
The Friday Night Fights |
p. 323 |
|
Off the Record |
p. 323 |
|
In the Amish Bakery |
p. 324 |
|
Pantoum: The Sturdy of Worry |
p. 325 |
|
Man Sleeping |
p. 326 |
|
Blessings |
p. 326 |
|
Ego |
p. 329 |
|
Sidney Bechet |
p. 329 |
|
The Picnic, An Homage to Civil Rights |
p. 330 |
|
The Shaw Brothers |
p. 331 |
|
19 Pages with No Promotion |
p. 332 |
|
E-mail (from "Dithyramb and Lamentation") |
p. 334 |
|
"Mystery Train": Janis Joplin Leaves Port Arthur for Points West, 1964 (from "Mystery Train: A Sequence") |
p. 334 |
|
"It's Only Rock 'n' Roll but I Like It": The Fall of Saigon, 1975 (from "Mystery Train: A Sequence") |
p. 335 |
|
The Assassination of John Lennon as Depicted by the Madame Tussaud Wax Museum, Niagara Falls, Ontario, 1987 (from "Mystery Train: A Sequence") |
p. 336 |
|
Excavation Photo |
p. 337 |
|
Stammer |
p. 338 |
|
And the Unclean Spirits Went Out of the Man, and Entered into Swine |
p. 339 |
|
Homage to Blind Willie Johnson |
p. 340 |
|
Chapped Lips |
p. 343 |
|
Dog Toy |
p. 344 |
|
Sources of the Delaware |
p. 346 |
|
Lives of the Olympians |
p. 348 |
|
Lives of the Robots |
p. 349 |
|
From The Collected Poems of Muriel Rukeyser |
p. 351 |
|
Poem |
p. 353 |
|
The Bill (from "The Book of the Dead") |
p. 353 |
|
Bubble of Air |
p. 356 |
|
Children, the Sandbar, that Summer |
p. 356 |
|
The Conjugation of the Paramecium |
p. 357 |
|
In Our Time |
p. 358 |
|
Endless |
p. 358 |
|
What Do We See? |
p. 359 |
|
Myth |
p. 360 |
|
From "Breaking Open (Rational Man)" |
p. 360 |
|
Looking at Each Other |
p. 361 |
|
Suggestions for Further Reading |
p. 363 |